John Martyn: Heaven and Earth (2011)
In a world filled with happiness and hurt, there's a gaping chasm between those that are aware and those that aren't. When John Martyn passed away months before his 60th birthday in 20091, the world lost one of the most painfully confessional singer/songwriters of the past half century. "Some people keep diaries," said Phil Cunningham in a 2007 BBC2 TV series, "John makes records."2 That Martyn could sing Hurt In Your Heart, from his heart-wrenching breakup record, Grace & Danger (Island, 1980), nearly 30 years on and still be driven to tears speaks to the depth of the Surrey-born/ Glasgow-raised guitarist/ vocalist's pain... and the cathartic power of his music. His ex-wife suggested, in the same documentary, that "so much emotion left John through his songs that there wasn't much left for her."3 Can't Turn Back the Years, one of Heaven And Earth's most profoundly poignant songs, is as fine and heart-rending a follow-up to Hurt In Your Heart as Martyn ever wrote.4
Martyn's voice —the epitome of self-expression, with his characteristically slurry articulation and conversational delivery— is at the heart of this collection of nine originals. Martyn tackles a variety of revelatory personal matters, like Willing To Work ("Give me a word I'll say it | Give me a note I'll play it"), love (the title track) and his own dysfunction (Bad Company". Fans of Martyn's earliest work, including the desert island classic Solid Air (Island, 1973) may be disappointed at the near-complete absence of a unique acoustic guitarist who, armed with an Echoplex and acoustic bassist Danny Thompson, released one of the most experimental folk albums ever to come from the British folk scene, the also-classic Live At Leeds (Independent, 1976)5. Instead, Heaven And Earth is heavy on groove — more Cooltide (One World, 1991)6 than Solid Air.
Martyn doesn't entirely eschew his acoustic roots entirely7, however, but the arrangements on Gambler and the folksy Colour remain more polished and pop-centric. Still, Martyn has always been about stylistic amalgamation, with plenty of folk, pop and jazz; longtime keyboardist Spencer Cozens adds plenty of color and sheen to vamp-driven songs like the booty-shaking Heel Of The Hunt, and harmonic depth and sophistication to the laidback title track.
Martyn was always a loyal leader, too, with some of Heaven And Earth's players dating even farther back than Cozens, specifically bassists John Giblin and Alan Thomson, who first appeared on Grace & Danger and Glorious Fool (Warner Bros., 1982)8, respectively. Pop superstar Phil Collins —who produced and played drums on Grace & Danger— contributes background vocals on tracks like9 Can't Turn Back The Years, while The Band's Garth Hudson adds a little Zydeco touch on accordion to the greasy funk of Stand Amazed.
But at the center of it all is Martyn — whose voice, in this case, eclipses his ever-fine guitar work. Listening to Martyn is to be privy to his deepest, darkest secrets, and with Heaven And Earth he managed to consolidate many of his stylistic interests for a final record -posthumously completed, with respect and love, by friend/producer/engineer Gary Pollitt10— that may not reach the heights of some of his early classics... but it's darn close.
Track Listing: Heel of the Hunt; Stand Amazed; Heaven and Earth; Bad Company; Could've Told You Before I Met You; Gambler; Can't Turn Back the Years; Colour; Willing to Work.
Personnel: John Martyn: vocals, guitars; Arran Ahmum: drums, percussion; Alan Thomson: bass; Spencer Cozens: piano, synths, steel drum; Martin Winning: saxophone, bass clarinet; Chris "Hambone" Cameron: Hammond organ, clavinet, synth, Wurlitzer and Fender Rhodes piano; John Giblin: acoustic bass; Garth Hudson: accordion; Frankie Usher: electric guitar; Jimmy Weider: electric guitar; Jim Tullio: atmospheric guitar, synth; Stefon 'Bionik' Taylor: electric guitar, organ; Gary Foote: baritone saxophone; Nathan Bray: trumpet; Garry Pollitt: electric guitar; Suzi Chunk: percussion; Phil Collins: backing vocals, synth; Cheryl Wilson: backing vocals; Rene 'Squeaky' Robinson: backing vocals; Stevie Robinson: backing vocals.
Record Label: Hole in the Rain
1 Wrong. John would have turned 61 in september 2009.
2 Wrong. Phil said this in 2007 allright but he was only quoting John himself. And John said this for the first time in a two page interview with Nick Kent from New Musical Express. The story is called The Exorcism and was published 29 November 1980.
3 The correct way of phrasing this is that Phil Cunningham claims that Beverley complained, etc.
4 Wrong. Can't Turn Back The Years is written by Phil Collins and the only track on the album John did not write.
5 Wrong. Live At Leeds was issued September 1975.
6 Wrong. Cooltide was originally released on Permanent.
7 That is two times 'entirely'.
8 Wrong. Glorious Fool saw the light of day September 1981.
9 Wrong. Phil sings backing vocals on one track only.
10 Wrong. Don't forget Jim Tullio.