Bless The Weather - Island ILPS 9167
Bless John Martyn. Here's an album to delight from one end to the other, and there's not a wet spot during it either. Except...
Bless John Martyn. Here's an album to delight from one end to the other, and there's not a wet spot during it either. Except...
18 Dec 1971
MUSICIANS are generally expected to progress, and 'progress' often means change.
The resulting preconceptions as to what a musician should be doing and where that should be leading to is sometimes the very thing that blocks his path. John Martyn, for instance, has for some months been holding the reins of acoustic and electric music. Since the two styles sound so diverse it's a wonder that he has not concentrated entirely on the latter, the newer aspect of his playing.
11 Dec 1971
When we eventually met in Regent Street later that afternoon, I found John to be as elated and as ebullient as ever about the release of his new album Bless The Weather.
04 Dec 1971
John Martyn's family are very proud of him. And to show that they are, they travel great distances to see him when he does big concerts like the Queen Elizabeth Hall in London.
John Martyn's albums never cease to amaze me.
For an artist whose appeal is still strictly limited, this is surprisingly commercial
Seems to fade in from confusion, quietly take shape, and then fade away again at the end. A nice idea.
This advert supported the release of Bless The Weather. It was published in Melody Maker, probably around 13 November 1971.
Recorded Playhouse Theatre, Northumberland Avenue 20 September 1971.
Solo acoustic gig.
01 Oct 1971
Unless you happen to frequent folk clubs, there are only two reasons for your having heard of John Martyn: Stormbringer and Road To Ruin. Both albums were made in conjunction with his wife Beverley. They were produced by Joe Boyd, arranged by Paul Harris and engineered by John Wood, which does little to explain their importance.