UK

The NME Book of Rock 2

Nick Logan, Bob Woffinden
W.H. Allen & Co, London 1977, ISBN 0 352 39715 2

Glasgow-born, Martyn spent later 1960s building reputation on folk-circuit with albums like (1) and (2), before (3), recorded in the U.S. A. with members of The Band, brought him to wider attention.

Player Of The Month

Anonymous
Beat Instrumental

John Martyn

Fans of John Martyn have probably noticed that the genial songster has been a little elusive of late. We decided that it was about time we brought him out into the open and got some straight answers about what he's been up to for the last year.

July Wakes Festival

Anonymous
Tour program

JOHN MARTYN

John Martyn is a man of paradox. A performer who interplays a cockney brashness in conversation with his audience against an emotive warmth in his singing and fiery virtuosity in his playing.

London, Regent's Park, 4 Jul 1976

10 Jul 1976
New Musical Express
Rod McShane

John Martyn
REGENT'S PARK

IT WAS about November when John Martyn announced that he'd be taking a year off from live appearances in Britain.

It wasn't believable at the time; and this wasn't the first gig since the itchy-fingered Martyn's pronouncement. But the small steep-tiered Open theatre in the heart of Regent's Park on Sunday evening must be just about the ideal setting for Martyn's music.

Man of many parts

Karl Dallas
Melody Maker

THE news that Danny Thompson is getting back into jazz will please the many who have missed the big, fat tone of his bass during his protracted flirtations with other types of music.

Singing in the Rain

Malcolm Heyhoe, Paul Hunter
Liquorice #4

cover story..Of all the people we've seen this year, one of them, means more to us than any of the others. John Martyn; and his inclusion in Liquorice is both timely and essential. John's music is highly cathartic, and deeply emotive. His personal 'philosophy' of love as the only answer is manifested in a quite remarkable fashion within his superb songs. And coupled with this is his seemingly inborn dislike and mistrust of the music business and its nefarious activities.

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