The Apprentice - Permanent PERM CD1
Wrinkly ravers
Elsewhere in the 'reliable chaps in need of a break' field there's John Martyn, who has been tipped for greatness for two decades
Elsewhere in the 'reliable chaps in need of a break' field there's John Martyn, who has been tipped for greatness for two decades
01 Mar 1990
Back with a new album, THE APPRENTICE, and touring now to promote it is John Martyn. He's long been an admired and well respected musician on the British scene and he's the proud owner of a back catalogue of albums that are testament to his innovation, imagination and sheer popularity. From the release of his first album LONDON CONVERSATION way back in 1968 [actually 1967 ed.] to now, he's maintained a loyal following, who've witnessed his style changes over the years. For a long time he was associated with Island Records, now he's out on Permanent Records. Based back in Scotland, the new album shows he's no apprentice! ZIP CODE grabbed the chance to speak to a relaxed and affable John Martyn recently.
This fellow is anything but an apprentice, a musician of the highest order who is prepared to take chances with his music.
01 Mar 1990
The 12 page program features the tour dates, tour credits, the (uncredited) Chas Keep story, his discography and three biogs for the band members. Copies were priced £ 5,00. Both the story and the discography served as basis for the 1991 Record Collector article.
01 Mar 1990
If names like Kate Bush, David Sylvian, Everything But The Girl, ABC and Julian Cope conjure up the vision of some kind of Status-toting hotshot somewhere in his mid-twenties, think again. Danny Thompson began as a tea-chest player in a skiffle band, with Leadbelly and Big Bill Broonzy among his earliest influences. He moved on to play with the biggest names in British jazz in the late '50s and mid-'60s -Tubby Hayes, Ronnie Scott- then joined Alexis Korner's enormously influential Blues Incorporated. He backed blues giants like Little Walter, John Lee Hooker and Sonny Terry, and rounded off the decade by becoming a vital part of the folk-rock movement; that was Pentangle, of course, who subsequently made six albums in their seven-year lifespan.
John Martyn has a seriously hard time of it. OK, the Wets themselves idolise the man but he might as well be one of the Stones as far as the schoolgirls of Glasgow are concerned. They're not actually rude to him, he's just completely ignored.
01 Sep 1989
Danny Thompson and his double bass have been inseparable for 30 years.
Rob Adams on the pleasures of listening to idiosyncratic rocker John Martyn
Appparently there are two John Martyns. There is the electric John Martyn and there is the acoustic John Martyn.
Now it's the turn of ex-folkie, early-Seventies guitar guru John Martyn. Tonight he's as good-as carried aloft by the triumphal, comradely crest of crowd approval.