London, Barbican, 11 Sep 2006
The one-legged Pete Doherty of folk rock goes jazz-funk on us

altered states
Words: Andres Lokko
Photography: Rachel Lipsitz
John Martyn
The Barbican, London
altered states
Words: Andres Lokko
Photography: Rachel Lipsitz
John Martyn
The Barbican, London
Thirty three years have elapsed since the Old Grey Whistle Test performance that conferred a measure of stardom on John Martyn.
Robert Sandall reviews John Martyn's new1 album
T&E
Spellbinding no-frills solo set from 1975
36 minutes live in studio performance.
The program was recorded Tuesday 9 May at Livingston Studio, London.
A second broadcast took place 21 January 2007.
After John's passing, it was rebroadcast on 13 March 2009 on BBC Radio 3, as part of Mary Ann Kennedy's World On 3 program.
In the 1970s, John Martyn was the master of the romantic sublime. Schooled in the 1960s folk boom, this Glaswegian went electric, made the Echoplex tape-delay device his own, and found his musical soulmate in fellow closet jazznik double-bassist Danny Thompson. Tender intimacy and booming spaciousness all of a piece, Martyn's classic albums Bless The Weather, Solid Air and One World conjured acoustic-electric moodscapes where your heart and time itself stood still.
36 minutes.
Three live tracks in the studio with band, interlaced with interview fragments.
27 Apr 2006
John Martyn has cultivated a staunch following for his improvisational picking style and mellifluous voice that has produced a mesh of jazz, blues and folk. Since his much-lauded debut releases, Solid Air and Bless The Weather, Martyn's career has been dogged by alcoholic abuse. Then, in 2003, a serious infection led to a leg amputation.